Ephraim couldn’t be more excited to be part of this team and play. Off-Broadway credits include: Chester Bailey at The Irish Rep (Outer Critics Circle Nomination, Berkshire Theater Critics Award Winner), Jonah at Roundabout, The Book of Mountains and Seas in the Edinburgh Fringe Festival and The Good Person of Szechwan at The Public Theater. Regionally, Ephraim performed in Studio Theater DC’s Admissions, and TheaterWorks Hartford’s The Sound Inside and The Rembrandt (Connecticut Critics Circle Nomination). TV and Film credits include: Gotham, The Americans, Strawberry Mansion (Sundance Film Festival 2021) and Things Like This, coming to theaters later this year. 

A fresh graduate of Hogwarts School of Witchcraft & Wizardry, Joel recently wrapped a two-year run leading the Broadway company of Harry Potter and the Cursed Child as Albus Potter. Off-Broadway: Bard Overboard. Film: Carry the Darkness, Call Me Crazy. Television: “Three Busy Debras” (Adult Swim/HBO). University favorites: Stupid Fucking Bird, A Midsummer Night’s Dream, Godspell, Translations. Joel is the co-creator/system architect behind Candle House Collective’s immersive epic, Lennox Mutual, and sometimes lends his voice to CHC’s award-winning telephonic thriller, CLAWS. Beyond the stage, he enjoys working with students as the co-founder of Hyperspace Tutors. Columbia Theatre & Astrophysics. @joelpmeyers 

Jordan Matthew Brown is so excited to jump in and join this company on this journey! Broadway and National Tour: Elder Cunningham in The Book of Mormon. Regional: Seymour in Little Shop of Horrors (Kansas City Rep), William Barfée in The 25th…Spelling Bee (George Street Playhouse), Motel in Fiddler on the Roof (North Shore Music Theatre), Jack in Into the Woods (Town Hall NYC). Training: Boston University BFA Acting and the National Music Theatre Institute at the Eugene O’Neill Theater Center. He also coaches theatre students through MTCA! Very grateful to DBA, his family, his friends. Always for Grandma. @jordanmatthewbrown

Danny Brown (he/him) is a New York based writer, composer, and dramaturg. He has written several plays, musicals, and songs, both on teams and independently. Favorite credits include AS TIME GOES BY (playwright, Ice Berg Productions), THE PANSY CRAZE (additional book and lyrics, HGMC/Hartford Stage), and BOOP! THE MUSICAL (Lyrics assistant, Chicago pre-Broadway). As a composer, he has written songs, underscoring, and orchestrations for plays, musicals, jazz ensembles, chamber groups, and full orchestras. He is currently working on a play about the Los Angeles suburbs, and a musical about early 20th Century drag performers. BFA Hartt. MFA Columbia. @dannyb_thatsme 

Noah is a queer and Jewish NYC-based director, producer, and performer. Breaking boundaries of theme, structure, content, form, and scale, Noah utilizes humor, identity, and passion to explore how our universal values and qualities bring communities closer or divide us apart. Recent credits include ORION AND THE GOATMAN (Flea Theater), ELEGIES: A SONG CYCLE (Dive 106), and a SONGS FROM AN UNMADE BED (54 Below). Outside of his own projects, Noah co-produced the Obie-winning off-Broadway run of CIRCLE JERK (Connelly Theater), is Executive Producing upcoming film BOOKENDS (Starring F. Murray Abraham and Caroline Aaron), and serves as the Associate Board co-chair to Tony Award winning non-profit BROADWAY FOR ALL. He has assisted many prominent directors including Tony nominee Marcia Milgrom Dodge on JERSEY BOYS and DECEIVED (Maltz Jupiter Theater), MURDER ON THE ORIENT EXPRESS (Cape Playhouse), and TO PAINT THE EARTH (Museum of Jewish Heritage). Noah graduated from the University of Michigan with a BFA in Musical Theater and minors in American Culture and Performing Arts Management & Entrepreneurship. 

Baron is a Boston-based educator and scenic designer for theater, opera, and other performance arts. Baron has a penchant for theater that tackles local and global issues, as well as stories that are told through the lens of and/or feature underserved and under-heard communities. Throughout his career thus far, Baron has been lucky enough to work as lead designer or as an associate at prominent regional and off-Broadway theaters including: Public Theater, Juilliard School - Drama Division, Huntington Theater, Capital Rep, Hartford StageTheatreSquared, as well as Trinity Rep. Currently, as an Affiliated Faculty member, Baron teaches courses in drafting and foundation-level design courses at Emerson College. Baron received an MFA in Scenic Design from Boston University, and is a proud member of United Scenic Artists, Local USA-829. 

Rose Goodman (they/she) is so excited to be a part of the team on As Time Goes By!  Favorite technical credits include Scenic,Props and Puppetry for Orion and the Goatman at The Flea Theater, Props and Puppets for The Weak and the Strong at La MaMa, and Carpentry with Blue Man Group and The Public Theater. 

Credits include, Off-Broadway: Hong Kong Mississippi (La MaMa ETC), Dodi & Diana (Colt Coeur), Only Human: A Musical (Theatre St. Clement’s), Till (NYMF) Regional: A Bronx Tale, Footloose, Jersey Boys (Argyle Theatre), Anastasia, Parade (Slow Burn Theatre Co.), The Prom (WPPAC), The Drowsy Chaperone (SSMT), Blue (Seattle Opera, Pittsburgh Opera, Dutch National Opera). Previous work: LaMaMa ETC, BAM, NYTW, Playwrights Horizons, Barrington Stage Company, La Jolla Playhouse, Washington National Opera, The Glimmerglass Festival, Seán Curran Dance Company, Nimbus Dance, De Funes Dance, Second Avenue Dance Company and many others. Colt Coeur Company Member. MFA NYU/Tisch. Member USA829.

www.ericnorburylighting.com

Jess Gersz has had the opportunity to work on a wide range of projects as a Designer and Associate. From stage shows to theme parks, Jess is always looking for new adventures in costuming.  You can see projects he has participated in across the world including: Broadway, National Tours, Cruise Ships, Theme Parks & more! Jess holds a MFA in Costume Design from the University of Illinois at Urbana-Champaign and a BA from the University at Albany (SUNY). Jess is a proud member of USA-829 and an adjunct faculty member at Pace University.   www.JGersz.com

Ryan O’Dea (She/Her) is a professional sound designer, playwright, composer, director, performer, sound engineer, and overachiever. She has recently graduated from NYU’s Graduate Musical Theatre Writing Program where she began developing Glen or Glenda: The Musical with collaborator M. L. Redstone. Notable productions: Missionary Woman in ‘Missionary Woman’ (Theatre MITU), B in ‘The Silver Child’ (Soho Playhouse), Sound Designer of ‘Orion and the Goatman’ (The Flea), Sound Designer/Engineer of ‘Monsters of the Villa Diodati’ (AMT Theatre), Sound Engineer of ‘The Trouble With Dead Boyfriends’ (The Players Theatre).  Her album, ‘Transitional Funk’, is available on all streaming platforms, and currently has a stage show adaptation in development.

Designer debut! When not designing, Trevor is a composer, lyricist, and librettist. His musical Hong Kong After Midnight: The Disco Disco Musical was selected for BEAM2025, produced by Mercury Musical Developments, Musical Theatre Network, and Birmingham Hippodrome, and is being developed with support from The Makers' Ensemble, The Brick Theater, and Judson Arts. Other musicals include The Silver Child (SoHo Playhouse), The Doors We Close (AMTP), Manpa: Ten Thousand Waves, and Time to Go. Trevor's songs have been performed at venues including Joe's Pub, 54 Below, The Other Palace, and various universities. BS: Northwestern. MFA: NYU. @the_trevs https://trevorkband.com/

Kimi Handa Brown (They/Them) A Multi-Hyphenate Artist from California and with their BFA in MT from the University of Utah. From screen to print to stage to studio, they spend their time doing many things! Previous Intimacy projects: See What I Wanna See directed by Emilio Ramos with Out of the Box Theatrics, Science Park by Noah Mease Dir. Dante Green with The MakersEnsemble, Sex and the Abbey by Diana Ly Dir. By Emily Lyon at the Brick Theatre, House of Telescopes by Kairos Looney Dir. Lyam B Gabel at A.R.T with Pipeline Theatre Company. @Kimilawls 

With offices in both New York and Los Angeles, The Telsey Office casts for theater, film, television, and commercials. The Telsey Office is dedicated to creating safe, equitable, and anti-racist spaces through collaboration, artistry, heart, accountability, and advocacy. thetelseyoffice.com

she/her. Theater-maker and contemporary musician Emily Duncan is a dynamic force in the world of interdisciplinary art. Earlier this season, she served as the production manager for See What I Wanna See at Out of the Box Theatrics. Other recent credits include PIERROT with City Lyric Opera (production manager and performer), the Off-Broadway premiere of SCOUTS (producer), and Jane Austen's Persuasion with PasticheNYC (music supervisor). Emily is a graduate of The University of Iowa and The Juilliard School. 

Abi is excited to return to Out of the Box! Off Broadway credits include: Islander, Jersey Boys, Sleep No More, Is There Still Sex in the City, See What I Wanna See (OOTB) Bathhouse.pptx (The Flea), Wolf Play (MCC Theatre),A Bright New Boise, My Broken Language (Signature Theatre). As You Like It (The Public). Cyrano (The New Group), The Light and the Dark (Primary Stages).  Regional: Fiddler on the Roof (Papermill Playhouse) Candide (Skylight Music Theatre). Cinderella (Geva Theatre). A View From the Bridge, Yasmina’s Necklace (Goodman Theater). International: West Side Story (IHI Stage Around Tokyo). 

Sarah (she,her) is a Filipino American Theater and Event Production human. Born in NYC, raised in the desert of Arizona, based in Brooklyn. Recent credits: Neck Down (PSM, Exponential Festival), International Puppet Slam 2024 (PSM, Greenfeather Foundation), See What I Wanna See (ASM, OOTB), Survival (SM, Playco) O.K. (PSM, WP Theater), Fouad of Nazareth (SM, Noor Theatre), Terce (ASM, Here Arts), Healing Shipment (PSM, La Mama), While being a resident stage manager experimenting at the Mercury Store. 

Cassandra Gutterman-Johns is a New York based Stage Manager. She is excited to be a part of this production and working with such a wonderful team! Her recent credits include Amor With No BS (The Flea), The Merchant of Venice (CSC), Our Class (CSC), Push Party (The Hearth), Syncing Ink (The Apollo), and The Words Will Come (LES Shakespeare). She sends love to her friends and family, and is grateful for their unending support. 

Out of the Box Theatrics was founded in 2016 by Liz Flemming, a legally blind artist, to create space for artists who have been historically underrepresented and undervalued. The company stages innovative and site-specific productions of new and classic plays and musicals while challenging audiences to experience these works outside of their expectations. By casting without regard to gender, race, creed, ethnicity, or disability, OOTB seeks to create a more inclusive and equitable theatre industry. OOTB was most recently recognized by the American Theatre Wing and Obie Awards for their work and takeover of Theatre 154. Additionally, they earned attention for its critically acclaimed streaming co-production of Jason Robert Brown’s The Last 5 Years (New York Times’ Critic’s Pick, 2021 Drama League Nominee for Outstanding Digital Theater, 2022 Antonyo Award winner for Best Digital Theater Production), and its new production of the 1983 Broadway musical Baby (2022 Drama Desk Award nominee, Outstanding Revival of a Musical).  
 
OOTB’s programming of 154 has been made possible by an arrangement with ChaShaMa. Since 1995, ChaShaMa has partnered with property owners to transform unused real estate for 30,000 artists and over 150 small businesses, hosted 4,000 public art events, provided 1,500 classes in under-served communities, and reached audiences of nearly a million. 

Ice Berg Productions is a production company dedicated to creating and cultivating exciting new theater. Breaking boundaries of theme, structure, content, form, and scale, Ice Berg Productions crafts intimate, impactful stories to challenge audiences on an intellectual and emotional level. The diverse array of stories explores the complexities of interpersonal human connection, with a strong focus on LGBT+ narratives. Past credits include Elegies: A Song Cycle by William Finn, performed as an immersive memorial at Dive 106 in August 2023, and Songs From an Unmade Bed, which featured nine queer actors, personal interviews, and new music to modernize the piece, performed at 54 Below in September 2023. Recently presented the New York premiere of new play Orion and the Goatman at the Flea Theater in August 2024.